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The Local Scenes And Global Culture Of Psytrance Routledge Studies In Ethnomusicology 2010
Altona: Common Ground. Frankfurt-main: Nacthtschatten and KomstA. London: Duke University Press. J Fierce Dancing: Adventures in the Underground. London: Faber and Faber. Hanover: Wesleyan University Press. London: Serpents Tail. LA: Tribal Donut. Paris: Harmattan. New York: Oxford University Press. Newcastle: Cambridge Scholars.
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Why should you use Wordery Specialist. Secure payment via PayPal. Rietveld Apart from the near absence of studies of EDM translocality, this collection is born amid the paucity of studies of psytrance itself. With regard to rd v more identifiable psytrance i.
The Globalization of Musics in Transit - PDF
In total, the research output on a phenomenon twenty years old C is, therefore, quite small—albeit growing. While this is not the place to offer a detailed explanation for such paucity, it seems likely that sanctions political, legal, academic against controlled substance use associated with the field of research has had a prohibitive impact on state-sponsored research. Ideally, research will also demonstrate a tendency towards maintaining critical distance. Most contributors to this volume are identifi able at the intersec- tions of these patterns.
Photo by Alex Canazei: bu b www. In a study of ongoing cultural practice within the context of complex globalisation, the chapter is instructive to understanding tactics within psytrance in the places of its emergence globally. As a framework for a wide range of user-groups affected by global infor- mation and communication technologies, psytrance is figured as a com- plex cosmopolitan experience which is examined in relationship to sites and scenes in Goa, the UK, the US, Germany and Japan. Unpacking this cosmopolitanism through an ethnomusicological discursis which uncovers layers of influence through cross-Atlantic EDM scenes, psytrance emerges s as a story of interpenetrating musical and cultural crosscurrents.
One coun- ci an try and city integral in these global crosscurrents was and remains the Fr UK and London. Joshua I. Schmidt completes this N ial section with his examination of the evidence of paradox he traces through er another key international psytrance node—Israel.
The principal contradic- at tion he states is that while making countercultural gestures, the behavior of m transistim Israeli trancers actually replicates the culture of late-modern, ed post-Zionist Israel. The utopian yet contested space of the party is so often made possible through the communication and networking capacities of the Internet. Ryan explains how, with its demographic base centred around the San Francisco Bay Area, the online social network- ing site Tribe. The Internet is not only critical to the cosmopolitan character of psytrance transnationalism, but is integral to the formation of local psy-communities.
Investigating s how online communities facilitate representational narratives of the tempo- ci an rary party, Lambert contends that the discussion forum Oztrance prolongs Fr the social temporality and influences the cultural significance of doofs. Serving as an anchor to the lo n ay volume, my chapter charts this complex transformational experience with tio y T particular ethnographic attention to large psytrance festivals in three differ- ent countries Italy, Australia and Portugal. Exploring the liminal culture bu b of psytrance, the chapter accounts for the way a super-abundant festal life tri d is ide enervates the transitional lifestyles of psytrance participants.
But, unlike the rd v conventions of passage rites, the psytrance festival is reported to be a sophis- fo Pro ticated realm, evocative of the complexities of the counterculture to which it ot - is indebted. As a domain of excessive carnivalesque and conscious ritualising N ial the festival provides the performative staging ground for diverse sacrificial er logics and concomitant ideas of the sacred. If psytrance is transformative at then this needs to be considered within the context of a complex cultural m movement.
While these marketing labels are sometimes capitalised, here, and through- out this volume, this inconsistent convention will not be observed. See Kodwo Eshun 09 for a discussion of Sun Ra, for instance. Psytrance 15 4. I only list English language research publications here. Baulch, Emma. London: Duke University Press. Bennett, Andy. Sociology 33 3 — Bennett Andy, and Richard A.
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Peterson, eds. Nashville: Vanderbilt University Press. Bromell, Nick. Tomorrow Never Knows: Rock and Psychedelics in the bu b s. Chicago: University Of Chicago Press. Cieslik and G. Pollock, eds. Aldershot: Ashgate. N ial Perfect Beat 3 4. Perfect Beat 3 3 : 1— In Graham St John, ed. Rave Culture ht and Religion, — Culture and Religion 7 1 : 61— Davis, Erik. Rave Culture and Religion, — London: Routledge. Pathways: Liminal Zine 02, 50— Elliott, Luther. Television and New Media 5 3 : — Eshun, Kodwo. London: Quartet. Global Moder- nities. London: Sage. Foreman, Murray. New Hampshire: Wesleyan University Press.
Greener, Tracey, and Robert Hollands. Journal of Youth Studies 9 4 : — London: Cassell.